Rezension: Harlan Coben: “Six Years”

Harlan Coben’s readers know him as the master of this type of story: a life suddenly unraveling, the past summoned back into a swiftly shifting present, secrets peeling back to reveal more secrets. With “Six Years,” the author shows once more how it’s done.

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Rezension: Dashiell Hammett: “Return of the Thin Man”

Dashiell Hammett created two of the seminal figures in hard-boiled detective fiction: the Continental Op and Sam Spade. But none of his creations proved as endearing as Nick and Nora Charles, the wisecracking crime fighters of “The Thin Man,” his final novel.

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Rezension: B.A. Shapiro: “The Art Forger”

Readers seeking an engaging novel about artists and art scandals will find “The Art Forger” rewarding for its skillful balance of brisk plotting, significant emotional depth and a multi-layered narration rich with a sense of moral consequence.

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Rezension: Ariel S. Winter: “The Twenty-Year Death”

Baltimore writer Ariel S. Winter has summoned up the stylistic spirits of Georges Simenon, Raymond Chandler and Jim Thompson for his debut, a massive and marvelous trilogy called “The Twenty-Year Death.”

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Rezension: Roberto Ampuero: “The Neruda Case”

Although it’s the first of Chilean novelist Roberto Ampuero’s books to be translated into English, “The Neruda Case” is actually the sixth and latest entry in a series that has helped bring the author international acclaim.